Syndicate of Sound – Little Girl

ImageAfter winning a battle of the bands competition in San Jose, CA, Syndicate of Sound rocketed to regional and even (briefly) national fame with the release of several singles from their first and only album Little Girl released in 1966 on Bell Records. Although their tenure was very brief, Syndicate of Sound’s legacy on rock ‘n’ roll is tremendous. Known for their edgy sound, the band is considered one of the key links between garage rock and protopunk. The album flies out of the gate with the aggressive teenage anthem “Big Boss Man.” Loud, fast, obnoxious, rebellious and sarcastic––”Big Boss Man” is everything that protopunk would become. While coming out with roaring guitars is one thing, keeping them roaring is a whole different challenge: a challenge that Syndicate of Sound accepts head on. In addition to “Big Boss Man,” the band also edges closer to protopunk with songs like “Lookin’ for the Good Times” and a cover of The Sonics’ “The Witch.” While “Lookin’ for the Good Times” is more like a surf rock song on steroids, “The Witch” is pure punk sound with a touch of darkness. Besides being trumpeters for the protopunk sound, Syndicate of Sound is also still firmly rooted in mid-60s garage rock. This album is stacked with songs that are now considered garage rock classics, from “Almost Grown” to “Rumors” to the title track “Little Girl.” Every single one of these songs has that rhythm and edge that you can expect from a Syndicate of Sound song. “Little Girl” would become one of the most covered songs in the mid 60s and can be heard today in the one hit wonder section of the Rock ‘n’ Roll Hall of Fame. And just when you think you’ve figured out the Syndicate of Sound, they display their dexterity with love songs such as “That Kind of a Man” and “Is You Is or Is You Ain’t My Baby.” These songs are successful because they avoid the cliché of 60s pop love song sound while also delivering emotions that are recognizable by many. Syndicate of Sound truly proves their versatility with the many styles of rock ‘n’ roll they’ve mastered. Although there are one or two songs that could use some more work, Little Girl is extremely rewarding as a whole. Ultimately the Syndicate of Sound was torn apart by the 60s––drugs and the draft––leaving listeners aching for what could have been. This album is a must for any fan of protopunk or garage rock. You will not be disappointed.  A-

2 thoughts on “Syndicate of Sound – Little Girl

  1. Hi Charlie

    I recently picked up a virtually mint copy of this for very little money……i already had the 45 bought when it came out in 1966 but i never knew about the album untill much later….its a very enjoyable record….the nearest British equivilant is probably the Pretty Things early rnb blues based albums which if you havent heard then you really should

    best regards


    • Hi Jim,

      I’m glad you were able to find such a great copy. I do enjoy The Pretty Things, but unfortunately, I’ve never found any of their early stuff on vinyl. I don’t think they ever got as “big” in the US as they did in the UK, making their albums even more difficult to find. If I do find an original copy of one of their earlier albums, I’ll be sure to blog about it. Thanks for stopping by once again.


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